Showing posts with label symbolism. Show all posts
Showing posts with label symbolism. Show all posts

Saturday, June 26, 2010

Thinking about Birds, Thinking With Birds



Photos: the late William Teya with three black ducks on the Peel River
and male surf scoter or "black duck" deetree aa in Gwich'in

Birds are salient actors in human environments around the world, and are carriers of meaning, their actions invested with a range of significance.The observations I share were made by spending time on the land with people and in conversation —that is in everyday circumstances and through commonly repeated traditional stories. Accordingly what I present is a series of examples of certain salient birds and their meanings across the range of localities where I’ve worked. As such they are common birds, frequently observed. Relationships with these birds include: commensalism and sharing; power; birds as food; symbolic and metaphoric associations; and ecological relationships. Birds often appear as art motifs, and have strong roles in traditional narratives. Birds also enrich human experience.
What follows was learned by spending time on the land with people, and just in conversation while doing ethnobotany, ethnomedicine and ethnoecology research, that is, in everyday circumstances for the most part, and through some commonly repeated narratives, not through specific ethnornithology research.
I’ll present perspectives learned in working with four communities in northwestern Canada: Gitksan of the Skeena River drainage in northwestern British Columbia; Witsuwit’en, Athapaskan speakers whose traditional teritories border those of the Gitksan in the Bulkley/Morice River drainage and those of the Dakelhne in the Nechako River drainage in northwest/north central British Columbia; the Kaska Dena of northern BC and the southern Yukon, and the Gwich’in in the Mackenzie Delta region of the northwest Territories. Natural environments range from the inner edge of the Coast Mountains and forests of coastal affiliations (Coastal Western Hemlock and Interior Cedar Hemlock biogeoclimatic zones) through Sub-boreal and Boreal forests dominated by white spruce with pine and extensive subalpine willow and dwarf birch, to the taiga tundra ecotone in the low Arctic of the Gwich’in homeland. Large rivers, lakes and wetlands of variable extent characterize all of these northern forested environments.
Fisheries focussing on salmon species, lake charr, grayling, and whitefish species help to support local communities, and the diverse fish populations also support numerous birds (loons, ospreys, bald eagles, diving ducks, gulls). The ubiquitous northern corvids- ravens, crows and jays, scavenge fish and scraps from carcasses of animals hunted by people or wolves, year round residents and long companions of the human residents of the North. Owl species—great horned, great grey, and barred, – swoop silently through the night forests. Hawk owl and snowy owl are active by day. The wetlands and river banks host various sandpipers and wading birds such as yellowlegs, cranes, and spotted sandpipers. And in the sub-boreal forests and coastal forests, the tiny chickadee is a year round gregarious resident.
The Gitksan and neighbouring Witsuwit’en share the symbolic crest system of the Norhwest coast, in which Raven and Eagle and Owl figure , among other bird figures that belong in the histories (adaawk) of specific Clans or Houses. Grouse is also a crest of certain Fireweed (Gisgaast) houses. The late Mary Johnson (Antkulilbisxw) explained to me that in a time of starvation in ancient Temlax’aamit, two sisters and a brother were seeking to escape an unnatural winter and in their journey the brother starved. When they were finally able to kill a grouse, the women wept because this food, had they gotten it in time, would have saved the brother.
Raven is also allied with a set of trickster creator tales shared beyond the Northwest Coast region, appearing as Txemsim on the Nass, Wii Gyet [‘the big man’] for the Gitksan, or Estes for the Witsuwit’en. Sometimes other birds are involved in these stories besides the raven figure and his adventures. For the Gitksan, the figure Wii Gyet is at once an insatiable bumbling giant [the name means “Big Man] and raven, and the tales refer to his ‘Gwiis Gaak’ or raven blanket. A story shared by Gitksan and Witsuwit’en involves greed and Wii Gyet/Estes’ miscalculation when trying to hunt swans with the aid of a borrowed swan decoy hat. Because he tries to take too many, he is carried up into the sky by the swans whose legs had tied...with highly unpleasant results for him when he plunges earthward from a great height.
For both Gitksan and Witsuwit’en, bird names can form part of plant names and place names, indicating metaphorical connections, and ecological associations [as indeed bird related plant names may in English as well]. So in Gitksanimx, the plant called in English black twinberry (Lonicera involucrata) is sgan ‘maaya gaak ‘raven’s berry plant’, alluding to the shiny black (and inedible) fruit. It is a medicinal plant, not a food plant, and the bird name probably signals its inedibility to humans. Similarly, among the Witsuwit’en, the related white snowberry (Symphoricarpus albus) is called citsit ‘mi cin or grouse’s berry stick, and has medicinal uses. The bird/place name connection in Gitksan also involves berries: a traditional high elevation black huckleberry patch is called Anxsi ‘maa’y litisxw ‘blue grouse’s berry on it’. Here I assume the information is ecological in terms of the habitat and food of the blue grouse, the the fruit itself is not named for blue grouse (being the “real berry” sim ‘maa’y everywhere it grows).
Birds, as their migration is seasonally predictable, can also carry what Trevor Lantz and Nancy Turner have called traditional phenological knowledge. A Gitksan language primer explains that the song of the robin, when it appears in spring, says Gii gyooks milit, milit “the steelhead are coming, the steelhead, are coming”, indicating that steelhead can be fished in the rivers and creeks once the robins have arriverd.
And the tiny chickadee whose piping and flitting presence around camps in the winter woods is named. I was told that when you hear a chickadee, someone is coming to visit. Besides being a crest ayuks owl apparently also indicated impending death, and hearing an owl hooting was cause for disquiet..
Eagle Down is a sacred substance used to enforce peace for both Gitksan and Witsuwit'en. The late High Chief Johnny David said "Eagle Down is our Law", which anthropologist Dr. Antonia Mills used as the title of her book on Witsuwit'en traditions, history and law.
The Kaska Dena live in what is now northern British Columbia and the adjoining Yukon Territory, in the Cassiar Mountains north of the Stiking River in the drainage of the Liard and Pelly Rivers, and in the adjoining Logan mountains on the border with the Northwest Territories. Kaska lack the complex Clan/House structure of the Gitksan and Witsuwit’en, butm they do have the moiety structure widespread throughout most of the Yukon, of Wolf Tsíyone and Crow. Elder Mida Donnessey explained the fundamental division of society this way: Crow and Wolf are brothers in law, she said, but they couldn’t travel together, because Crow (Nusga) travels in the daytime and the wolf travels at night.
Travelling with Auntie Mida in the spring 10 years ago, she commented about grouse, and how the pleating of its muscular stomach taught people how to gather the toes of their round toed moccasins Grouse aka ‘chicken’ di’ is also a reliable food source, one available to women and children, and a back-up in the absence of large game like moose. Hence, one of the two sentences I can manage in Kaska is “I saw one chicken”...Hligah dí’ ne gánesta– which can describe what was seen in a journey across the land, a subject of frequent discussion when people meet. The habitats of different birds are well known; grouse like young pine stands. Ptarmigan prefer willows in winter.
Birds as agents and actors on the land can also hold and bestow power. My collaborator Linda McDonald told me that swan was a power bird for her late mother Edna McDonald. Swans are also a source of food (prohibited now with migratory bird treaties).
Along with detailed knowledge of the habitats and habits of birds and animals, people are oberservant of timing of significant seasonal events, such as the migration time of ducks, and geese. These are now changing, and are taken by elders as an indicator of environmental change. This is a topic Linda McDonald, my Kaska colleague and I will take up in more detail through our research this summer.
Ravens and whisky jacks (grey jays) are intelligent and observant birds, and their sometime destructive behaviour is tolerated. People have lived a long time in the North with ravens and whiskey jacks, which are adaptable year round residents. Another English name for the whiskey jack is “camp robber”, aptly descriptive of their deft pilfering of unattended food in camp. However, people may in fact leave food out for the whiskey jacks, perhaps with the logic that if food is freely given, they will leave the rest alone. Raven figures in stories among the Kaska as well as Gitksan and Witsuwit’en. Both raven and whisky jack lend their names to plants. The valued medicinal plant Juniperus communis is called in Kaska Nusga dzidze “crow’s brush or crow’s berries . The berry like cones are not edible by people, though they add to the strength of medicinal decoctions made from the plant. Arctous rubra, called “red bearberry” in English, is ts’oska dzidze, ‘whisky hack’s berry” in Kaska.
As I travelled with and listened to my elder teachers, birds were woven into conversation and commentary. I am a somewhat “scattered” person who easily misplaces or looses things. Auntie Mida explained to me after one such incident that it was because I has looked at an osprey on the nest; if you look at osprey on the nest it causes you to loose things easily.
Wading birds and cranes have very long legs. In a narrative recorded in Dene Guideji, Kaska Narratives, Elder Clara Donnessey recounts how the sisters who married stars escape their pursuer by crossing the Liard River canyon on the legs of yellowlegs as a bridge, which then refused to allow the pursuing wolverine to cross over. When I was told the story, my source described the bird, in English, as “crane”.
I gained a different sense of ravens when I went North. Instead of the ravens sitting solitary on the top of spruce or cedar, and tolling their bell-like calls, or hungrily feeding one or two at a time on the carcasses of dead and dying salmon beside the river, ravens in Inuvik were raucous, forward, in-your-face, interacting and squabbling in groups in the morning hours, hanging around dumpsters. It was in the Mackenzie Delta region I first really understood the ancient commensal relationship of ravens to northern peoples. Ravens scour the land widely for sources of food, which in winter prominently feature the kills of wolves, and the kills and camps of people. In February of 2000, I went up the Peel with my teachers William and Mary Teya to their winter trapping camp at Road River. It took 4 days for raven to find us after we arrived. When William got a cow and calf moose during our stay, the skulls were placed on the roof of a shed for raven to finish cleaning the bits of meat we had not been able to cut off for our own use.
The story of raven and his wooden jaw known in Tsii geh tchic as well as way south on Skeena. The location this occurred, it is said, is right where they later built the Catholic Church in Tsii geh tchic. Stories are localized on the land. In summer fish camp on the Peel River, we returned to camp one day to find raven mess on the fish cutting table. As she cleaned the white splotches off the wood, Mary told the story of raven’s bride, and how she was similarly despoiled by her handsome new husband, the ever active raven. I was told that you can’t harm raven, even if he breaks into your smoke house and steals some of your drying fish. It would bring bad weather, a serious threat in the low Arctic country where the Gwich’in dwell.
Gulls have an important place in the Gwich’in world. Gulls are not year round residents in Gwich’in country, coming with break-up and leaving when the country starts to freeze up. I was told that for Gwich’in, gulls are more important than eagle. Gulls are associated with the milder weather and easier times of summer fishing. In fish camp, the fish offal is to be spilled on the sandbars or gravel bars near, but not in, the river, for the gulls to clean up. Visitors to the country such as myself and a company of French paddlers who stayed a day or two at Alestine Andre’s 2000 Tree River camp on the Mackenzie, are carefully instructed in this matter. The cleaning role of the gulls is much appreciated, and may help to avoid confrontations with bears at the fishing sites. Two different places are named “gull lake” Tidigeh van, one a large lake up a tributary creek emptying into the Delta near Inuvik, and the other on a flat beside the Peel, not far from the Road River camp. After the gulls leave, I was told, raven takes over clean-up duties, and takes care of the spilled fish offal. Gulls can be a nuisance in the summer season, feeding on and spoiling fish left to air dry before being put in the smokehouse. In one camp I was at, fish netting was draped over the air drying fish, and a light fire lit where the smoke would blow toward the fish as gull deterrents. But even if the gulls spoil fish, they can’t be harmed, or bad weather will come.
As with Kaska, the sometimes pestiferous whiskey jacks are not harmed by Gwich’in. I watched while Mary carefully freed a bird who had entangled herself in the netting intended to deter gulls, a rather delicate process. The same (or another) whisky jack later slipped into the smokehouse from time to time, snacking on the drying whitefish and coney. It was not molested.
A last bird that stood out to me in Gwich’in country were the “black ducks”, surf scoters and common scoters who frequent the Peel and Mackenzie in summer. Black ducks are good to eat, and greatly appreciated when you can get them.

In closing, birds are salient actors in our worlds, readily available for symbolic interpretation, good for food, feathers and down used in material culture, associated with seasonal cycles of change and with specific habitats. The ever present raven has been a commensal of humans in northern regions of North America since people began to inhabit these lands. People carefully observe ravens, and ravens carefully observe people. Ravens many lead human hunters to game, and human hunters provide a reliable source of food for ravens throughout the cold dark winters. Raven’s intelligence and human like antics provide rich food for comedic analogy and moral thought. Raven is also powerful, seeing and knowing things humans do not, capable of transformation and of generosity.
Birds provide seasonal information, may be crests or personal sources of power, and are valued sources of food (especially grouse, ptarmigan, and various ducks, geese and swans, though many other birds were also eaten, such as cranes, and even loons in some places, though others consider them inappropriate to eat). As sources of food, certain birds can be proscribed for the young, or for pregnant women, such as loons who are “awkward” birds because they cannot walk on land. Or instead can be eaten with intent to invoke their qualities by those at these critical junctures in their growth and development, as the Witsuwit’en practice of feeding young boys ptarmigan to make them swift and agile on snowshoes.

Wednesday, December 16, 2009

Midwinter Musings


As we approach Midwinter, the winter Solstice and Christmas tide, botanical symbolism is prominent in our holiday decorations and in traditional carols of the season. We place evergreens in our homes, bedecked with shining ornaments, we hang wreaths of evergreens, and perhaps holly on our doors. We hang kissing balls of mistletoe over doors where they are sure to catch the unwary....

Holly red and mistletoe white.... this is the carol sung by the little animals in an English children’s book about Little Grey Rabbit and her friends, and includes the two most iconic plants of an English Christmas.

One of my favourite carols when I was growing up is “The Holly and the Ivy” which first made me aware of the botanical symbolism in our traditional Christmas celebrations. I read in my songbook that the holly is the male, and the ivy female, and they both indicate fertility and continuation of life in the middle of winter through their evergreen foliage. The carol begins:

The holly and the ivy,
when they are both full grown
of all the trees that are in the wood,
the holly is the crown

In a fascinating analysis of the symbolism of the Unicorn Tapestry series entitled “The Holly King, the Oak King and the Unicorn” (1986, Harper & Row), John Williamson says that the holly was associated with Midwinter or Yuletide, and that Yule was symbolic of death and rebirth. He connects the symbolism to the worship of the sun in pre-Christian times, and comments that the Christians took the time of Saturnalia and the date of Sol Invictus [the death and rebirth of the sun at the winter solstice] as a time to symbolize the death and birth of Christ (1986:178). And the green boughs with bright berries also were part of the decoration for Saturnalia. Apparently the oak and the oak king symbolized the waxing of the year, and the holly the waning half. Holly itself was considered a magical and potent plant in Roman times, as recorded by Pliny (Williamson 1986:62). Once Christianity arose, holly also took on the symbolism of Christ, whose death leads to rebirth in a state of divinity, and which offers humankind victory over death through everlasting life. A later verse of the carol says-

The holly bears a berry,
as red as any blood
And Mary bore sweet Jesus Christ
to do poor sinners good.

The redness of the berries evoking the blood of sacrifice is one obvious connection. The thorniness of their leaves also evokes the crown of thorns, and the pure white of the blossoms the purity and chastity of Mary, mother of Jesus, as we see in the following verse:

The holly bears a blossom
As white as lily flower
And Mary bore sweet Jesus Christ
For to be our sweet Saviour.

What of the evergreen tree and its green aromatic boughs? The association of evergreens like fir and spruce trees with midwinter, Yuletide or Christmas is a Germanic connection. [There are no fir or spruce trees in England; the only evergreen conifers there are yew trees, Scotch pine, and spindly junipers]. The nineteenth century German carol lauds the evergreen:

O Tannenbaum, o Tannenbaum,
wie treu sind deine Blätter!
Du grünst nicht nur
zur Sommerzeit,
Nein auch im Winter, wenn es schneit.
O Tannenbaum, o Tannenbaum,
wie treu sind deine Blätter!

a literal translation reads:
O Christmas [fir] tree, o Christmas [fir] tree
How loyal are your leaves/needles!
You're green not only
in the summertime,
No, also in winter when it snows.
O Christmas tree, o Christmas tree
How loyal are your leaves/needles!
[words and translation from http://german.about.com/library/blotannenb.htm]

This modern song is derived from an older traditional German song ”Oh Fir Tree”, versions of which can be dated to the 16th century :

O Dannebom, o Dannebom,
du drägst 'ne grönen Twig,
den Winter, den Sommer,
dat doert de leve Tid.

(http://www.hymnsandcarolsofchristmas.com/Hymns_and_Carols/Notes_On_Carols/o_christmas_tree-notes.htm)
It has several more verses, but as I don’t read German I won’t include them here.

The evergreen tree didn’t join English Midwinter festivities until German Prince Albert brought a tree for his bride Queen Victoria in 1841.

And what of mistletoe? Mistletoe is evergreen, yellowish green, and forms masses in the (deciduous) oak trees which remain leafy when the oak’s own leaves fall. It’s parasitic, sending strands into the wood of its host. The berries are small and whitish. Apparently these masses of yellowish green are the “golden boughs” which gave Frazer’s famous 19th century tome on world religions its name (Williamson 1986: 59). Mistletoe was associated with the sacred oaks of the druids....and a great deal of 18th century fantasy about Druids shows white robed silver bearded holy men with golden sickles cutting mistletoe for mysterious rites. Apparently Pliny is the source of the white robed druids with golden sickles cutting mistletoe, recently amusingly cartooned by Hergé in Asterix and Obelix.

“Mistletoe and Druids From Pliny - Natural History:

XVI/95: The druids -- that is what the Gauls call their magicians -- hold nothing more sacred than mistletoe and the tree on which it is growing, provided that it is an oak. Groves of oaks are chosen even for their own sake, and the magicians perform no rites without using the foliage of these trees... Anything growing on oak trees they think to have been sent down from heaven, and to be a signal that that particular tree has been chosen by a god. Mistletoe is, however, rather seldom found on an oak, and when it is discovered it is gathered with great ceremony, particularly on the ninth day of the moon... because it is then rising in strength and not yet half its full size. Hailing the moon in a native word that means "healing all things", they prepare a ritual sacrifice and banquet beneath a tree and bring up two white bulls, whose horns are bound for the first time on this occasion. A priest arrayed in white vestments climbs the tree and with a golden sickle cuts down the mistletoe, which is caught in a white cloak. Then finally they kill the victims, praying to the god to render his gift propitious to those on whom he has bestowed it.
[URL = Natural History]”

(retrieved from http://ancienthistory.about.com/cs/norsegodspictures/p/mistletoe.htm)

Mistletoe also figures in the Norse legend about the death of the god Baldur, second son of Odin....After a disturbing foreboding dream of Baldur’s death, Odin’s wife Frigga had sought to protect the bright twin from all harm by gaining the oath of all things not to harm him....and celebrated his immunity by inviting all to try to hurt him. Weapons fell aside powerless...but Loki, the cunning evil one, took mistletoe....which had escaped Frigga’s notice because of its weakness and insignificance.....and turned it into a dart, which he placed in the hand of Baldur’s blind twin Hodur ....who threw the dart at Loki’s urging, and slew Baldur believing nothing could harm him. Thus Baldur died. (from the Prose Edda, Icelandic Saga in the Wikipedia article on Baldr and the retelling in Thomas Bullfinch’s Mythology http://www.usefultrivia.com/mythology/death_of_baldur.html).

And how did it come to be the plant in the Kissing Bundle? This I don’t actually know. A website on mistletoe lore http://ancienthistory.about.com/cs/norsegodspictures/p/mistletoe.htm suggests that the mistletoe berries were Frigga’s tears, and that after Baldur’s restoration to life, the plant then became symbolic of love... but the pathway to English folk use is not obvious. The same website contains other snippets about mistletoe:

“Mistletoe in Dickens Pickwick Papers:

"From the centre of the ceiling of this kitchen, old Wardle had just suspended with his own hands a huge branch of mistletoe, and this same branch of mistletoe instantaneously gave rise to a scene of general and most delightful struggling and confusion; in the midst of which, Mr. Pickwick, with a gallantry that would have done honour to a descendant of Lady Tollimglower herself, took the old lady by the hand, led her beneath the mystic branch, and saluted her in all courtesy and decorum."

Mistletoe in Washington Irving Christmas Eve:

"Here were kept up the old games of hoodman blind, shoe the wild mare, hot cockles, steal the white loaf, bob apple, and snap dragon; the Yule-clog and Christmas candle were regularly burnt, and the mistletoe with its white berries hung up, to the imminent peril of all the pretty housemaids."’

So- I wish you all the merriest of Midwinter Holidays. Merry Christmas, Good Yuletide, Best Wishes for New Years, and happy Chanukkah, festival of lights [tonight is day 6 of the miracle]. A light in the darkness of midwinter as we approach the Solstice, and green evergreen boughs as a token of rebirth and new growth in the springtime.